A Change of 'Tune' in the Vatican...

Bertone takes Sodano’s place. But an important shift is also taking place in liturgical music. The way was pointed out by a concert with the pope in the Sistine Chapel, conducted by maestro Bartolucci.
by Sandro Magister

With this concert, Benedict XVI has symbolically restored the Sistine Chapel to its true maestro. Because the famous chapel is not only the sacred place decorated with the frescoes of Michelangelo, it also gives the name to the choir that for centuries has accompanied the pontifical liturgies.

Maestro Bartolucci was named the “perpetual” director, the director for life, of the Sistine Chapel by Pius XII in 1959. Under this and later popes, he was an outstanding interpreter of the liturgical music founded upon Gregorian chant and sacred polyphony. But after a long period of opposition, in 1997 he was dismissed and replaced by a choirmaster thought to be more fitting for the “popular” music dear to John Paul II.

Bartolucci’s replacement was the finishing stroke of the almost complete elimination of Gregorian chant and polyphony as desired by the authors of the postconciliar liturgical reform.

The person responsible for Bartolucci’s removal in 1997 was the master of pontifical ceremonies, Piero Marini...