Reading From: Revelation 14:1-3, 4b-5
The Lamb and His Companions
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[1] Then I looked, and lo, on Mount Zion stood the Lamb, and with him a hundred and forty-four thousand who had his name and his Father's name written on their foreheads. [2] And I heard a voice from heaven like the sound of many waters and like the sound of loud thunder; the voice I heard was like the sound of harpers playing on their harps, [3] and they sing a new song before the throne and before the four living creatures and before the elders. No one could learn that song except the hundred and forty-four thousand who had been redeemed from the earth. [4] It is these who follow the Lamb wherever he goes; these have been redeemed from mankind as first fruits for God and the Lamb, [5] and in their mouth no lie was found, for they are spotless.
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Commentary:
14:1-16:21 The book now turns to the Lamb and to divine judgment (anticipating the victory of the Lamb). It stays with this theme up to chapter 17 at which point the powers of evil appear again (in various symbolic forms) and are subjected to the judgment of God. First we are shown the Lamb and his entourage (cf. 14:l-5); immediately after this the Last Judgment is proclaimed and a preliminary description given (14:6-20); the glory of the Lamb is again extolled (cf. 15: 1-4) and the unleashing of the wrath of God is further described in terms of the pouring out of the seven bowls (cf. 15:5-16:21).
In opposition to the powers of evil and the active hostility to God and the Church caused by the machinations of Satan stand the risen Christ and his followers, who sing in praise of his glory and triumph. These followers are those who have attained redemption; the salvation will reach its climax when the Kingdom of God is fully established (the marriage of the Lamb, and the heavenly Jerusalem: chaps. 21-22). In the meantime, although the Church has to do battle with the forces of evil, it can contemplate Christ "as an innocent lamb (who) merited life for us by his blood which he freely shed. In him God reconciled us to himself and to one another, freeing us from the bondage of the devil and of sin, so that each one of us could say with the Apostle: the Son of God 'loved me and gave himself for me' (Gal 2:20)" (Vatican II, "Gaudium Et Spes", 22).
1-3. It is highly significant that the Lamb stands on Mount Zion, in Jerusalem, which was where God dwelt among men according to the Old Testament (cf. Ps 74:1; 132:14; etc.) and where, according to certain Jewish traditions, the Messiah would appear, to join all his followers. The assembly, then, is an idealization of the Church, protected by Christ and gathered about him. It includes all those who belong to Christ and to the Father and who therefore bear his mark, which shows them to be children of God. They are so many that it is impossible tocount them, but their number is complete: they are given a symbolic number which is 12 (the tribes of Israel) by 12 (the Apostles) by 1000 (a number indicating a huge scale): cf. Rev 7:3ff.
The one hundred and forty-four thousand are not yet in heaven (for the loud noise comes from heaven); they are on earth, but they have been rescued from the power of the beast (cf. 13:13-14). The verse from heaven symbolizes the strength and power of God; and the heavenly voice speaks with the gentleness of liturgical music. It is a new song, for it now sings of the salvation wrought by Christ (cf. 15:34) in the same style as the Old Testament chants the praises of God (cf., e.g., Ps 33:3; 40:2; 96:1). Only those who belong to Christ can join in this song and be associated with the heavenly liturgy: "It is especially in the sacred liturgy that our union with the heavenly Church is best realized; in the liturgy, through the sacramental signs, the power of the Holy Spirit acts on us, and with community rejoicing we celebrate together the praise of the divine majesty; when all those of every tribe and tongue and people and nation (cf. Rev 5:9) who have been redeemed by the blood of Christ and gathered together into one Church glorify, in one common song of praise,the one and triune God" ("Lumen Gentium", 50).
4-5. The text refers to those who are properly disposed to take part in the marriage supper of the Lamb (cf. 19:9; 21:2) because they have not been stained by idolatry but have kept themselves undefiled for him. St Paul compares every Christian to a chaste virgin (cf. 2 Cor 11:2) and describes the Church as the spouse of Christ (cf. Eph 5:21-32). The author of the Apocalypse is referring to all the members of the Church insofar as they are holy, that is, called to holiness; but the symbolism he uses also draws attention to the fact that virginity and celibacy for the sake of the Kingdom of heaven is a special _expression and clear sign of the Church as Bride of Christ. Referring to the chastity practiced by religious, the Second Vatican Council teaches that in this way they "recall that wonderful marriage made by God, which will be fully manifested in the future age, and in which the Church has Christ for her only spouse" ("Perfectae Caritatis", 12).
The one hundred and forty-four thousand are also those who have identified themselves fully with Christ, dead and risen, by denying themselves and devoting all their energies to apostolate (cf. Mt 10: 38). They also stand for those whom Christ, by the shedding of his blood, has made his own and his Father's property (like Israel, the first fruits of Yahweh: cf. Jer 2:3), that is, those who constitute a holy people like that remnant of Israel described in Zephaniah 3:13: "they shall do no wrong and utter no lies, nor shall there be found in their mouth a deceitful tongue." The prophet's words refer to people who have not invoked false gods, but the Apocalypse applies them to those who are fully committed to Christ.
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